'YOU ARE THE WEATHER—I AM THE WEATHER' — EXHIBITION TEXT FOR PHOEBE KELLY'S 'LIGHT MARKS' AT COOL CHANGE CONTEMPORARY, 2021.

A YEAR REFLECTED, TEXT PRODUCED THROUGH 'OTHERWISE POSSIBILITIES' WORKSHOP BY ASTRID LORANGE FOR FREE ASSOCIATION, 2020.

DEBUT XVII: MADE TO KEEP THE MEMORY ALIVE, BLINDSIDE EXHIBITION CATALOGUE ESSAY, 2021.

WORKING THROUGH SURREALIST SCORE, CONTRIBUTION FOR ISSUE 02 OF THE DEBUTANTE JOURNAL, 2020.

TEXT FOR THE IMAGE COLLECTIVE PUBLICATION, 2020.

'THE PROCESSION MOVES FORTH' - TEXT FOR FREE ASSOCIATION WORKSHOP FACILITATED BY MANISHA ANJALI, 2019.

'SAPPHO WAS KNOWN FOR HER LOVE POETRY. WILL YOU REMEMBER ME FOR MINE?' - ISSUE 01: DISRUPT, HEART OF HEARTS PRESS, 2020.

'THE PLACE ONE LIVES.,' - CURATORIAL TEXT FOR SATELLITE VIDEO PROGRAM AT BLINDSIDE GALLERY, 2020.

'THE CLOUDS HAVE DIED' - TEXT FOR LAURA CARTHEW'S EXHIBITION AT STOCKROOM GALLERY, KYNETON, 2020.

'FRESH! 2020' CATALOGUE ESSAY FOR CRAFT VICTORIA, 2020.

'ODE TO MENOPHILA' POETIC ESSAY TO ACCOMPANY SOLO EXHIBITION 'THE TRANSLATION / ÇEVIRI' AT TAB GALLERY, ISTANBUL, 2019.

'WOMEN AS COLUMNS OR PILLARS AKA HOLDING UP AKA SOCIETAL SCAFFOLDING AKA SUPPORT STRUCTURES' ESSAY FOR 'M_OTHERING THE PERCEPTUAL ARS POETICA' EXHIBITION AT COUNIHAN GALLERY, 2019.

'THE MARKING.' ESSAY TO ACCOMPANY SOLO EXHIBITION AT c3 CONTEMPORARY ART SPACE, 2019.

'SHE WAS READY' — POEMS PRODUCED THROUGH THE MACFARLANE FUND RESIDENCY, 2018.

'SPECIFICS OF A POEM' - ART + AUSTRALIA ONLINE, 2018.

'THE CONVERSATION.' ESSAY TO ACCOMPANY SOLO BUS PROJECTS EXHIBITION, 2018.

'THEY WERE AT-ONCE EXFOLIATE AND MOISTURE' ESSAY FOR KINGS ARTIST-RUN EMERGING WRITERS PROGRAM, 2018.

REVIEW OF TRACEY LAMB AT INCINERATOR FOR UN (KINGS PARTNERSHIP) 2018.

'IT'S MORE OF A MERE GESTURE THAN A GRASP' ESSAY FOR OLGA BENNETT'S EXHIBITION AT THE CENTRE OF CONTEMPORARY PHOTOGRAPHY, 2018.

TEXT FOR 'LA PETITE VESTE MILITAIRE' EXHIBITION BY HEIDE LEFEBVRE AND KATY B PLUMMER AT TRIBUTARY PROJECTS, 2018.

'MOTHERING MY MOTHER'S MOTHER: AN INVESTIGATION IN BEING IN AND OUT OF TIME' (HONOURS EXEGESIS), 2017.