The Marking. solo exhibition at c3 contemporary art space at the Abbotsford Convent by Josephine Mead (January 30 - February 24, 2019).
Sculptures pictures (background to foreground):
Ocular Looking Device (brass), 2018, Josephine Mead, brass, 185 x 74 x 64 cm.
Ocular Looking Device (copper), 2018, Josephine Mead, copper, 204 x 113 x 55 cm.
Ocular Looking Device (steel), 2018, Josephine Mead, steel, 231 x 155 x 66 cm.
Photograph courtesy of Aaron Rees.
Ocular Looking Device (brass), 2018, Josephine Mead, brass, 185 x 74 x 64 cm.
Ocular Looking Device (copper), 2018, Josephine Mead, copper, 204 x 113 x 55 cm.
Ocular Looking Device (steel), 2018, Josephine Mead, steel, 231 x 155 x 66 cm.
Photograph courtesy of Aaron Rees.
Works pictured (left to right):
The body has many a discursive function, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
I am bounded by the curve, entirely and in parts, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The flower is fragile in the same way that my body is fragile, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The Marking., 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
The body has many a discursive function, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
I am bounded by the curve, entirely and in parts, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The flower is fragile in the same way that my body is fragile, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The Marking., 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
My Body was Pushed and Pulled by Language, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The flower is fragile in the same way that my body is fragile, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Foreground:
Ocular Looking Device (copper), 2018, Josephine Mead, copper, 204 x 113 x 55 cm.
Background (left to right):
The body has many a discursive function, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
I am bounded by the curve, entirely and in parts, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The flower is fragile in the same way that my body is fragile, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
Ocular Looking Device (copper), 2018, Josephine Mead, copper, 204 x 113 x 55 cm.
Background (left to right):
The body has many a discursive function, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
I am bounded by the curve, entirely and in parts, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The flower is fragile in the same way that my body is fragile, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
Works pictured (left to right):
The flower is fragile in the same way that my body is fragile, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The Marking., 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
The flower is fragile in the same way that my body is fragile, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The Marking., 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
Works pictured (left to right):
The new capital is coming and it is calling for more words, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
My qualities of tenderness, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
The new capital is coming and it is calling for more words, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
My qualities of tenderness, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
The Marking., 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Foreground:
Ocular Looking Device (steel), 2018, Josephine Mead, steel, 231 x 155 x 66cm.
Background (left to right):
Knowledge of my language is still far from complete, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The new capital is coming and it is calling for more words, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
My qualities of tenderness, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
Ocular Looking Device (steel), 2018, Josephine Mead, steel, 231 x 155 x 66cm.
Background (left to right):
Knowledge of my language is still far from complete, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
The new capital is coming and it is calling for more words, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
My qualities of tenderness, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Photograph courtesy of Aaron Rees.
I am bounded by the curve, entirely and in parts, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Knowledge of my language is still far from complete, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Works pictured (left to right):
Ocular Looking Device (brass), 2018, Josephine Mead, brass, 185 x 74 x 64cm.
My Body was Pushed and Pulled by Language, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Printed poetic essay for viewers to take, risograph printed on A4 enviro care paper by Glom Press, on custom-made tasmanian oak shelf, 2019.
Ocular Looking Device (brass), 2018, Josephine Mead, brass, 185 x 74 x 64cm.
My Body was Pushed and Pulled by Language, 2018, Josephine Mead, Inkjet print on 310gsm Ilford Fibre Gloss paper, created from scanned film photograph, 29.5 x 43.2cm. Edition of 3 + AP.
Printed poetic essay for viewers to take, risograph printed on A4 enviro care paper by Glom Press, on custom-made tasmanian oak shelf, 2019.
THE MARKING. ESSAY, 2019
