Josephine Mead
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The Conversation. ​at Bus Projects (August 1 - 25, 2018)
https://busprojects.org.au/program/the-conversation

READ THE ESSAY
Picture
Work pictured (left to right):
​Chair Sculpture, 2018

Tasmanian oak, glue, putty, screws, foam, eco polyester, cotton
105 x 55 x 45 cm

The Conversation. 2017
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame.
121 x 80 cm
Photo courtesy of Christo Crocker.
Picture
Work pictured (left to right):
A tired ship with deflated sails, 2017
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame
41.5 x 25.6 cm
​Chair Sculpture, 2018

Tasmanian oak, glue, putty, screws, foam, eco polyester, cotton
105 x 55 x 45 cm
The Conversation. 2017
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame.
​
121 x 80 cm
Photo courtesy of Christo Crocker.
Picture
Works pictured:
Foreground: Chair Sculpture, 2018
Tasmanian oak, glue, putty, screws, foam, eco polyester, cotton
​
105 x 55 x 45 cm​
Background: The Conversation., 2018
Poetic essay,  risograph  printed on Enviro care paper by Glom Press
Edition of 300
Picture
The Conversation., 2018
Poetic essay, risograph printed on grey Enviro care paper by Glom Press
​Edition of 300
Picture
The Conversation. 2017
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame.
121 x 80 cm
Photo courtesy of Christo Crocker.
Picture
A tired ship with deflated sails, 2017
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame
41.5 x 25.6 cm
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