SUPPORT MATERIAL - IAN POTTER CULTURAL TRUST APPLICATION
WRITING EXAMPLES:
'The Conversation.' 2018, Josephine Mead - poetic essay to accompany 'The Conversation.' exhibition at Bus Projects (August 2018), self-published.
'Specifics of a Poem' 2018, Josephine Mead - collection of poems produced while undertaking the Arquetopia Foundation Residency in Mexico and published by Art + Australia.
'They were at-once exfoliate and moisture' 2018, Josephine Mead - exhibition text produced through the Kings Emerging Writers Program, published by Kings Artist-Run.
VISUAL EXAMPLES:
'The Conversation.' 2018, Josephine Mead - poetic essay to accompany 'The Conversation.' exhibition at Bus Projects (August 2018), self-published.
'Specifics of a Poem' 2018, Josephine Mead - collection of poems produced while undertaking the Arquetopia Foundation Residency in Mexico and published by Art + Australia.
'They were at-once exfoliate and moisture' 2018, Josephine Mead - exhibition text produced through the Kings Emerging Writers Program, published by Kings Artist-Run.
VISUAL EXAMPLES:
Installation view: The Conversation. solo exhibition by Josephine Mead at Bus Projects, Collingwood. (August 1 - 25, 2018)
Work pictured (left to right):
A tired ship with deflated sails, 2017, Josephine Mead
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame, 29.7 x 42cm, Edition 1/3 + AP.
Chair Sculpture, 2018, Josephine Mead
Tasmanian oak, glue, putty, screws, foam, eco polyester, cotton, 1.5 m x 0.6 m x 0.6m.
The Conversation. 2017, Josephine Mead
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame, 1.3 m x 0.9m, Edition 1/3 + AP.
Photograph courtesy of Christo Crocker.
Work pictured (left to right):
A tired ship with deflated sails, 2017, Josephine Mead
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame, 29.7 x 42cm, Edition 1/3 + AP.
Chair Sculpture, 2018, Josephine Mead
Tasmanian oak, glue, putty, screws, foam, eco polyester, cotton, 1.5 m x 0.6 m x 0.6m.
The Conversation. 2017, Josephine Mead
Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame, 1.3 m x 0.9m, Edition 1/3 + AP.
Photograph courtesy of Christo Crocker.
Installation view: The Macfarlane Fund Exhibition, Stockroom, Kyneton (November 10 - December 2, 2018)
Works pictured (left to right):
Ocular Looking Device (steel) 2018, Josephine Mead, steel, 2.4 x 1.1 x 1.1m.
Ocular Looking Device (brass) 2018, Josephine Mead, brass, 1.5 x 0.6 x 0.6m.
Ocular Looking Device (copper) 2018, Josephine Mead, copper, 1.1 x 1.1 x 1.5m.
Paintings pictured by Harry Zed Hughes. Photograph courtesy of Christine McFetridge.
Works pictured (left to right):
Ocular Looking Device (steel) 2018, Josephine Mead, steel, 2.4 x 1.1 x 1.1m.
Ocular Looking Device (brass) 2018, Josephine Mead, brass, 1.5 x 0.6 x 0.6m.
Ocular Looking Device (copper) 2018, Josephine Mead, copper, 1.1 x 1.1 x 1.5m.
Paintings pictured by Harry Zed Hughes. Photograph courtesy of Christine McFetridge.
Installation view: "to utter aloud of render in speech" solo exhibition, Project Space, Stockroom, Kyneton (November 10 - December 2, 2018)
Works pictured (left to right):
I am marked and I am marking. I am read and I am reading. I am held and I am holding the wall. 2018, Inkjet print created from scanned film photograph in 255gsm Canson Smooth Satin paper in custom-made walnut frame, 29.7 x 42cm, Edition 1/3 + AP.
The new capital is coming and it is calling for more words, 2018, Inkjet print created from scanned film photograph in 255gsm Canson Smooth Satin paper in custom-made walnut frame, 29.7 x 42cm, Edition 1/3 + AP.
Photograph courtesy of Christine McFetridge.
Works pictured (left to right):
I am marked and I am marking. I am read and I am reading. I am held and I am holding the wall. 2018, Inkjet print created from scanned film photograph in 255gsm Canson Smooth Satin paper in custom-made walnut frame, 29.7 x 42cm, Edition 1/3 + AP.
The new capital is coming and it is calling for more words, 2018, Inkjet print created from scanned film photograph in 255gsm Canson Smooth Satin paper in custom-made walnut frame, 29.7 x 42cm, Edition 1/3 + AP.
Photograph courtesy of Christine McFetridge.
Sin Puertas Visibles / No Visible Doors, 2018, Josephine Mead, Digital Inkjet print on 310gsm Illford Smooth Pearl paper, 27.5 x 42cm,
Edition 1/3 + AP.
This work was produced through the Arquetopia Foundation Residency in Puebla, Mexico. Image courtesy of the artist.
Edition 1/3 + AP.
This work was produced through the Arquetopia Foundation Residency in Puebla, Mexico. Image courtesy of the artist.
My Body Was Pushed and Pulled by Language, 2018, Josephine Mead, Digital Inkjet print on 310gsm Illford Smooth Pearl paper, 27.5 x 42cm, Edition 1/3 + AP.
This work was produced through the Arquetopia Foundation Residency in Puebla, Mexico. Image courtesy of the artist.
This work was produced through the Arquetopia Foundation Residency in Puebla, Mexico. Image courtesy of the artist.
Installation view: a veritable (un) mooring, 2017, Josephine Mead, MADA Now, Honours BFA Graduate Exhibition, Monash University (November 14 - 25, 2017)
Sculptures pictured (left to right):
Curved Support Frame (Just Holding Up), 2017, Josephine Mead, tasmanian oak, glue, dowel, screws, wood putty, wax, vinyl, felt, sand, plastic sheeting, cotton thread, 181cm x 94cm x 94cm.
Tall Support Structure (Mirror Device), 2017, Josephine Mead, tasmanian oak, glue, screws, wood putty, wax, vinyl, felt, sand, plastic sheeting, cotton thread, 240cm x 138m x 107.5cm.
Photograph courtesy of the artist.
Sculptures pictured (left to right):
Curved Support Frame (Just Holding Up), 2017, Josephine Mead, tasmanian oak, glue, dowel, screws, wood putty, wax, vinyl, felt, sand, plastic sheeting, cotton thread, 181cm x 94cm x 94cm.
Tall Support Structure (Mirror Device), 2017, Josephine Mead, tasmanian oak, glue, screws, wood putty, wax, vinyl, felt, sand, plastic sheeting, cotton thread, 240cm x 138m x 107.5cm.
Photograph courtesy of the artist.
Installation view: a veritable (un) mooring, 2017, Josephine Mead, MADA Now, Honours BFA Graduate Exhibition, Monash University (November 14 - 25, 2017)
Works pictured (left to right):
Leg of the Child, 2017, Josephine Mead, inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm. Edition 1/5 + AP.
Holding Position, 2017, Josephine Mead, inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
Mourning as a productive act, 2017, Josephine Mead, inkjet print (created from scanned film photograph) on 310gsm Canson Photographique paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
A lesson in holding oneself up, 2017, Josephine Mead, inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
Photograph courtesy of the artist.
Works pictured (left to right):
Leg of the Child, 2017, Josephine Mead, inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm. Edition 1/5 + AP.
Holding Position, 2017, Josephine Mead, inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
Mourning as a productive act, 2017, Josephine Mead, inkjet print (created from scanned film photograph) on 310gsm Canson Photographique paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
A lesson in holding oneself up, 2017, Josephine Mead, inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
Photograph courtesy of the artist.
a veritable (un) mooring, 2017, Josephine Mead, inkjet print on 310gsm Canson Platine paper, framed in custom-made Tasmanian oak frame, 60.5cm x 41.5cm, Edition 1/3 + AP.
Image courtesy of the artist.
Image courtesy of the artist.
A lesson in holding oneself up, 2017, Josephine Mead, inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
Image courtesy of the artist.
Image courtesy of the artist.
Act. A circular lesson in statuary care, 2017, Josephine Mead, digital inkjet prints on 310gsm Cansom Photographique paper created from scanned film photographs, 50.70 x 43 cm, Edition 1.3 + AP.
Image courtesy of the artist.
Image courtesy of the artist.
Act. Generational reflections: an investigation into acts of self-care (part 1), 2017, Josephine Mead, inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
Act. Generational reflections: an investigation into acts of self-care (part 2), 2017, Josephine Mead, inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
Images courtesy fo the artist.
Act. Generational reflections: an investigation into acts of self-care (part 2), 2017, Josephine Mead, inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition 1/5 + AP.
Images courtesy fo the artist.
