Support Material showing visual work - Josephine Mead
The below work is indicative of the photographs that have and will be produced that examine ideas of love, language, intimacy, and queer-identity, through the metaphor of water. A selection of these photographs, with new images created through the project, will be included in the publication 'I Sea See'.
Installation view: . . . to conclude with ellipses . . . —solo exhibition by Josephine Mead at Seventh Gallery, Richmond, 2021. Image courtesy of the artist.
Installation view: . . . to conclude with ellipses . . . —solo exhibition by Josephine Mead at Seventh Gallery, Richmond, 2021. Image courtesy of the artist.
Installation view: to stop. to pause, —work by Josephine Mead in group exhibition, 'The Image' at Blindside Gallery, Melbourne 2021. Image courtesy of the artist.
The below work shows prior projects that have been realised and presented.
Installation view: The Translation. / Çeviri., solo exhibition by Josephine Mead at Tasarim Bakkali TAB Gallery, Istanbul Turkey (August 31 - September 29, 2019). Image courtesy of the artist.
Homepage for An Act of Deep Listening. - an online platform that I created in 2020. Project can be viewed at: https://www.anactofdeeplistening.com/
Installation view: The Conversation. solo exhibition by Josephine Mead at Bus Projects, Collingwood. (August 1 - 25, 2018). Image courtesy of Christo Crocker.
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Documentation of artist-book, 'Covid Drawings', published by Josephine Mead in 2021. Images courtesy of the artist.
Installation view: The Marking. solo exhibition at c3 contemporary art space at the Abbotsford Convent by Josephine Mead (January 30 - February 24, 2019). Image courtesy of Aaron C Rees.
Sin Puertas Visibles / No Visible Doors, 2018, Josephine Mead, Digital Inkjet print on 310gsm Illford Smooth Pearl paper, 27.5 x 42cm, Edition of 3 + AP. Image courtesy of the artist. This work was produced in Puebla, Mexico through the Arquetopia Foundation Residency.
Installation view: a veritable (un) mooring - work by Josephine Mead in mothering the perceptual ars poetica at Counihan Gallery, July 2019. Image courtesy of Christo Crocker.
Please note, predominately photographic-based works have been shown in the above Support Material, to give an indication of the type of images that will appear in the publication. Given the interactive and dynamic nature of the online platform that I will create, I will also be able to share work created in other disciplines through this platform (e.g. sound work, recordings, video work etc.) To see examples of other works, please refer to my website: http://www.josephinemead.com
