SUPPORT MATERIAL - Collingwood Yards Room to Create Studio Program
Screen-shot of homepage for An Act of Deep Listening. - a new research project being developed by Josephine Mead. To be launched in July 2020. Image courtesy of the artist.
Installation view: The Translation. / Çeviri., solo exhibition by Josephine Mead at Tasarim Bakkali TAB Gallery, Istanbul Turkey (August 31 - September 29, 2019). Image courtesy of the artist.
Installation view: The Conversation. solo exhibition by Josephine Mead at Bus Projects, Collingwood. (August 1 - 25, 2018). Image courtesy of Christo Crocker.
The Conversation. 2017, Josephine Mead, Digital inkjet print on 310gsm Ilford Smooth Pearl paper, framed in custom-made tasmanian oak frame, 1.3 m x 0.9m, Edition 1/3 + AP. Image courtesy of the artist.
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Left: Covid Drawing, 6 April 2020, 2020, Josephine Mead, digital image, edition of 3. Image courtesy of the artist.
Right: Covid Drawing, 27 March 2020, 2020, Josephine Mead, digital image, edition of 3. Image courtesy of the artist.
Right: Covid Drawing, 27 March 2020, 2020, Josephine Mead, digital image, edition of 3. Image courtesy of the artist.
Installation view: The Marking. solo exhibition at c3 contemporary art space at the Abbotsford Convent by Josephine Mead (January 30 - February 24, 2019). Image courtesy of Aaron C Rees.
Installation view: The Marking. solo exhibition at c3 contemporary art space at the Abbotsford Convent by Josephine Mead (January 30 - February 24, 2019). Image courtesy of Aaron Rees.
Installation view: Relics of Survival, curated by Kari Lee McInneny-McRae and Zoë Bastin, at Bus Projects, Collingwood (August 7 - 31, 2019). Image courtesy of Lucy Foster.
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Galaxy for Menophila / Menophila için galaksi , 2019, Josephine Mead, digital Inkjet print on 315gsm Hahnemüle Fine Art Baryta paper in custom-made frame, 27 x 45 cm, Edition 1/3 + AP. Image courtesy of the artist.
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Left: Sin Puertas Visibles / No Visible Doors, 2018, Josephine Mead, Digital Inkjet print on 310gsm Illford Smooth Pearl paper, 27.5 x 42cm, Edition of 3 + AP. Image courtesy of the artist. This work was produced in Puebla, Mexico through the Arquetopia Foundation Residency.
Right: My Body Was Pushed and Pulled by Language, 2018, Josephine Mead, Digital Inkjet print on 310gsm Illford Smooth Pearl paper, 27.5 x 42cm, Edition of 3 + AP. Image courtesy of the artist. This work was produced in Puebla, Mexico through the Arquetopia Foundation Residency.
Installation view: a veritable (un) mooring, 2017, Josephine Mead, MADA Now, Honours BFA Graduate Exhibition, Monash University (November 14 - 25, 2017) Image courtesy of the artist.
Installation view: a veritable (un) mooring, 2017, Josephine Mead, MADA Now, Honours BFA Graduate Exhibition, Monash University (November 14 - 25, 2017). Image courtesy of the artist.
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Left: Working through Surrealist Score (with vessels), 2019, Josephine Mead, digital inkjet print, edition of 3.
Right: Working through Surrealist Score Imy face as the flower), 2019, Josephine Mead, digital inkjet print, edition of 3. Images courtesy of the artist.
Right: Working through Surrealist Score Imy face as the flower), 2019, Josephine Mead, digital inkjet print, edition of 3. Images courtesy of the artist.
Installation view: The Distance - an exhibition with Mig Dann at St Helier's Street Gallery at the Abbotsford Convent in July 2019. Work pictured: a veritable (un) mooring by Josephine Mead. Image courtesy of the artist.
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a veritable (un) mooring, 2017, Josephine Mead, Digitial inkjet print on 310gsm Canson Platine paper, framed in custom-made Tasmanian oak frame, 60.5cm x 41.5cm, Edition of 3 + AP. Image courtesy of the artist.
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Act. Generational reflections: an investigation into acts of self-care (part 1 and 2), 2017, Josephine Mead, Inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame, 43cm x 27.2cm, Edition of 5 + AP. Images courtesy fo the artist.
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Installation view: a veritable (un) mooring - work by Josephine Mead in mothering the perceptual ars poetica at Counihan Gallery, July 2019. Image courtesy of Christo Crocker.
EXAMPLES OF RECORDINGS:
'to move towards the sound of the body' - 2020, text/voice byJosephine Mead, sound score by David Clark. Work courtesy of the artist.
'The Conversation'., 2020, text/voice by Josephine Mead, sound score by David Clark. Work courtesy of the artist.
'The Conversation'., 2020, text/voice by Josephine Mead, sound score by David Clark. Work courtesy of the artist.
EXAMPLES OF WRITING:
'The Marking.' - poetic essay produced by Josephine Mead to accompany solo exhibition 'The Marking.' at c3 contemporary art space in Abbotsford. (January 30 - February 24, 2019)
'The Specifics of a Poem' - collection of poems produced by Josephine Mead through the Arquetopia Foundation Residency in Puebla Mexico, published by Art + Australia in 2018.
'Women as Columns or Pillars' - text by Josephine Mead, produced in 2019 for 'mothering the perceptual ars poetica' at Counihan Gallery
'The Conversation' - poetic text produced by Josephine Mead in 2018 to accompany solo exhibition 'The Conversation.' at Bus Projects in Collingwood. (August 1 - 25, 2018)
'They were at once exfoliant and moisture' - poetic text by Josephine Mead produced through the Kings Emerging Writer's Program to accompany exhibition 'Deep, Dark, Desperate / Eat Your Saints' by Jess Toylor and Deb Prior at Kings Artist Run (August 4 - 25, 2018)
