Support Material for Australia Council Arts Projects for Individuals and Groups Grant— JOSEPHINE MEAD
The support images below show documentation of 'a veritable (un) mooring,' a research-based visual art project that Josephine began in 2017 and will extend throughout 2018 and 2019.
The support images below show documentation of 'a veritable (un) mooring,' a research-based visual art project that Josephine began in 2017 and will extend throughout 2018 and 2019.
Image #1:
Josephine Mead, Installation view of exhibition a veritable (un) mooring, shown at the Monash University faculty gallery in 2017
dimensions variable.
Josephine Mead, Installation view of exhibition a veritable (un) mooring, shown at the Monash University faculty gallery in 2017
dimensions variable.
Image #2:
Josephine Mead, Curved Support Frame (Just Holding Up), 2017
Tasmanian oak, glue, dowel, screws, wood putty, wax, vinyl, felt, sand, plastic sheeting, cotton thread
181cm x 94cm x 94cm.
Josephine Mead, Curved Support Frame (Just Holding Up), 2017
Tasmanian oak, glue, dowel, screws, wood putty, wax, vinyl, felt, sand, plastic sheeting, cotton thread
181cm x 94cm x 94cm.
Image #3:
Josephine Mead, Act. Generational reflections: an investigation into acts of self-care (part 1 and part 2), 2017
Inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame
43cm x 27.2cm.
AP (edition of 5)
Josephine Mead, Act. Generational reflections: an investigation into acts of self-care (part 1 and part 2), 2017
Inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame
43cm x 27.2cm.
AP (edition of 5)
Image #4:
Josephine Mead, Installation view of exhibition a veritable (un) mooring, shown at the Monash University faculty gallery in 2017
(works listed left to right)
Josephine Mead, Curved Support Frame (Just Holding Up), 2017
Tasmanian oak, glue, dowel, screws, wood putty, wax, vinyl, felt, sand, plastic sheeting, cotton thread
181cm x 94cm x 94cm.
Josephine Mead, Act. Generational reflections: an investigation into acts of self-care (part 1 and part 2), 2017
Inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame
43cm x 27.2cm.
AP (edition of 5)
Josephine Mead, Installation view of exhibition a veritable (un) mooring, shown at the Monash University faculty gallery in 2017
(works listed left to right)
Josephine Mead, Curved Support Frame (Just Holding Up), 2017
Tasmanian oak, glue, dowel, screws, wood putty, wax, vinyl, felt, sand, plastic sheeting, cotton thread
181cm x 94cm x 94cm.
Josephine Mead, Act. Generational reflections: an investigation into acts of self-care (part 1 and part 2), 2017
Inkjet print (created from scanned film photograph) on 310gsm Ilford Smooth Pearl paper, framed in custom-made Tasmanian oak frame
43cm x 27.2cm.
AP (edition of 5)
Image #5:
Josephine Mead, a veritable (un) mooring, 2017
Inkjet print on 310gsm Canson Platine paper
60.5cm x 41.5cm
AP (edition of 3)
Josephine Mead, a veritable (un) mooring, 2017
Inkjet print on 310gsm Canson Platine paper
60.5cm x 41.5cm
AP (edition of 3)
Image #6:
Josephine Mead, A lesson in holding oneself up, 2017
Inkjet print on 310gsm Ilford Smooth Pearl paper
43cm x 27.2cm.
AP (edition of 5)
Josephine Mead, A lesson in holding oneself up, 2017
Inkjet print on 310gsm Ilford Smooth Pearl paper
43cm x 27.2cm.
AP (edition of 5)
Image #7:
Josephine Mead, Holding Position, 2017
Inkjet print on 310gsm Ilford Smooth Pearl paper
43cm x 27.2cm.
AP (edition of 5)
Josephine Mead, Holding Position, 2017
Inkjet print on 310gsm Ilford Smooth Pearl paper
43cm x 27.2cm.
AP (edition of 5)
Image #8:
Josephine Mead, Mourning as a productive act, 2017
Inkjet print (created from scanned film photograph) on 310gsm Canson Photographique paper
43cm x 27.2cm.
AP (edition of 5)
Josephine Mead, Mourning as a productive act, 2017
Inkjet print (created from scanned film photograph) on 310gsm Canson Photographique paper
43cm x 27.2cm.
AP (edition of 5)
Image #9:
Josephine Mead, Installation view showing 4 framed photographs from exhibition a veritable (un) mooring, shown at the Monash University faculty gallery in 2017.
Josephine Mead, Installation view showing 4 framed photographs from exhibition a veritable (un) mooring, shown at the Monash University faculty gallery in 2017.
Image #10:
Josephine Mead, working out ways to language things, 2017
five shades of grey wall paint
2.3m x 1.5m
If you would like to see further documentation of Josephine's practice, please click here.
Josephine Mead, working out ways to language things, 2017
five shades of grey wall paint
2.3m x 1.5m
If you would like to see further documentation of Josephine's practice, please click here.
